| READ MORE. Ralph Rinzler listens through headphones during the 1988 recording session for the album "Folkways: A Vision Shared." B.A. Wegener received a message early on from the head of a university-based herbarium. nmaahc.si.edu. Terms of Use Particularly strong are collections of traditional music, occupational folklore, narrative, immigration, and family folklore. Non-profit organizations based in Washington, D.C. Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License 3.0, Morris, James R. Smithsonian Impresario: A Memoir by James Morris (2011). B.A. In presenting the Smithsonians contribution to that effort, we could not have been prouder. (1973) Scripps College, M.A. The center is composed of three distinct units. This research informs collaborations with communities working to sustain their most cherished cultural heritage: Sustaining Minority Languages in Europe Project. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. Hawaii was the featured state in the 1989 Folklife Festival from June 23 - July 4. Rinzler continued in the Festival organization, originally as part of the Smithsonian's Division of Performing Arts until a separate Office of Folklife Programs was created in 1980. (1987) University of Maryland. For a list of individual collections included under the umbrella of Smithsonian Folkways, see, For specifics on research questions for this group, see, For a list of events sponsored by this research group, see, Convention for the Safeguarding of the Intangible Cultural Heritage, Ralph Rinzler Folklife Archives and Collections, European Charter for Regional or Minority Languages, "Sustaining Minority Languages in Europe (SMiLE)", Smithsonian Contributions and Studies Series, John F. Kennedy Center for the Performing Arts, https://en.wikipedia.org/w/index.php?title=Center_for_Folklife_and_Cultural_Heritage&oldid=1059238250. Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage | Smithsonian Institution Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage The Center for Folklife and Cultural Heritage is home to the Ralph Rinzler Folklife Archives and Collections. B.A. Once again the subject matter was defined: Intangible Cultural Heritage means the practices, representations, expressions, knowledge, and skills as well as the instruments, objects, artifacts and cultural spaces associated therewith that communities, groups and, in some cases, individuals recognize as part of their cultural heritage. Contact:Cordovaa@si.edu, Deutsch, James I., Curator. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. This eclectic collection of artifacts and activities came together at the Center for Folklife & Cultural Heritage through a series of fortuitous and unplanned events. (1972); Ph.D. (1989) George WashingtonUniversity. Contact:ButvinHM@si.edu, Clark, Logan,Executive Assistant, Smithsonian Folkways. Texas: A Celebration of Music, Food, and Wine, Roots of Virginia Culture: The Past is Present, Carriers of Culture: Living Native Basket Traditions, Nuestra Msica: Music in Latino Culture (2005), Haiti: Freedom and Creativity from the Mountains to the Sea, Nuestra Msica: Music in Latino Culture (2004), South Africa: Crafting the Economic Renaissance of the Rainbow Nation, The Baltic Nations: Estonia, Latvia, and Lithuania, Heartbeat: The Voices of First Nations Women, Russian Roots, American Branches: Music in Two Worlds, The Czech Republic: Tradition and Transformation, Culture and Development in Latin America and the Caribbean, Masters of Traditional Arts: The National Endowment for the Arts National Heritage Fellows, Creativity and Resistance: Maroon Culture in the Americas, The Changing Soundscape in Indian Country, Forest, Field and Sea: Folklife in Indonesia, Roots of Rhythm and Blues: The Robert Johnson Era, Les Ftes Chez Nous: France and North America, The Caribbean: Cultural Encounters in the New World, Ingenuity and Tradition: The Common Wealth of Massachusetts, Migration to Metropolitan Washington: Making a New Place Home, Music from the Peoples of the Soviet Union, Cultural Conservation and Languages: America's Many Voices, Cultural Conservation: Traditional Crafts in a Post-Industrial Age, Black Urban Expressive Culture from Philadelphia, National Heritage Fellowships Program (1983), National Heritage Fellowships Program (1982), Music and Crafts of the Southeastern United States, Community Activities and Food Preservation, Folklife in the Museum: A Nation of Nations (1978), Folklife in the Museum: Renwick Gallery (1978), Folklife in the Museum: A Nation of Nations (1977), Folklife in the Museum: Hall of Musical Instruments, Folklife in the Museum: Renwick Gallery (1977). B.A. How, then, could conservators make house calls around the country at facilities storing collections of art, artifacts, books, documents, photographs and scientific specimens that documented the richness of Ukraines history, art, culture and scientific achievement? Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. It has become a national and international model of a research-based presentation of intangible cultural heritage. B.A. They followed the recommendations of an international committee chaired by Americas former first lady Eleanor Roosevelt in accepting the principles set forth in the historical milestone known as the Universal Declaration of Human Rights, which includes cultural rights and freedoms. Through audio recordings and educational materials Smithsonian Folkways strengthens people's engagement with their own cultural heritage and enhances their awareness and appreciation of the cultural heritage of others. The Smithsonian's Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. (1970) Williams College; M.A. A third team involved in the more theoretical work on "cultural policy". Junior Volunteer at Festival of American Folklife, 1986. The Switzerland-based Aliph Foundation responded adroitly, quickly devoting several million dollars for packing and shipping supplies, fire extinguishers and other materials to scores of museums and institutions, and working closely with Ukrainian colleagues to improve collection storage facilities. B.A. In 2010, the Initiative for Global Citizen Diplomacy honored the Festival with a Best Practice Award for International Cultural Engagement, and, in 2017, the American Alliance of Museums recognized the Festival with a Sustainability Excellence Award. Since the beginning of the invasion, the Cultural Heritage Monitoring Lab, aided by the University of Maryland Center for Development and Conflict Management and a displaced Ukrainian Fulbright scholar supported by the Smithsonian, used remote sensing to identify some 1,600 cases of potential damage to Ukrainian cultural heritage sites. Dr. Richard Kurin Included in the more than 3,000 albums are the recordings of Woody Guthrie, Lead Belly, Pete Seeger, Bill Monroe, Doc Watson, Ella Jenkins, Bernice Johnson Reagon and thousands of others; civil rights movement songs and speeches; the poetry of Langston Hughes; historical Native American traditions; varied regional and immigrant songs; and music and spoken word traditions from across the globe. (1972); Ph.D. (1989) George WashingtonUniversity. From our earliest musical encounters to the formation of complex social identities, the American musical landscape wouldnt be what it is today without the countless contributions of women changemakers, groundbreakers, and tradition-bearers. The Dalai Lama, 2000 Smithsonian Folklife Festival. How much of the culture of a region is embodied in the actual vocabulary of its language? Folklorist, Curator, Education Specialist. As part of SCRIs expanding research and training activities, Poshyvailo became first a trainee and then an instructor for the program and stayed in close contact with Wegener. Contact:Diaz-CarreraC@si.edu, Holmgren, Meredith,Curator, American Womens Music. In 1998, the Festival was renamed the Smithsonian Folklife Festival to reflect its international interests, and in 1999 the office was renamed the Center for Folklife & Cultural Heritage to reflect its research and public program functions. We work with communities in the United States and around the world to encourage the understanding, appreciation, and vitality of humanitys diverse living cultural heritage. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . An aerial shot of the 1999 Smithsonian Folklife Festival, showing the site of the South Africa program. It had a seven million-dollar budget, lasted twelve weeks and involved five thousand artists from every region in the United States and from 35 other nations. [1] Its motto is "culture of, by, and for the people", and it aims to encourage understanding and cultural sustainability through research, education, and community engagement. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. Storing collections in places without proper climate control and inadequate air circulation often leads to the development of mold, fungus and other problems that have to be mitigated. The inventory now includes more than 28,000 sites. (2007), Ph.D. (2015) New York University. Research specialties: Intangible cultural heritage, Latin American music (specifically: USA, Mexico and Guatemala, Indigenous and migrant communities). [9], The Archives' holdings were seeded by the business records of the Folkways Record label, which were acquired by the CFCH in 1987, and contain the business files of Lead Belly, Pete Seeger, and Woody Guthrie among others. The Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education, and community engagement. A variety of research projects undertaken by the Center and its staff document cultural traditions and address issues of heritage policy and professional representation practices that result in books, chapters, journal articles and other products. Research specialties: City and regional planning, cultural sustainability, elevation of cultural practices to improve local economies. Research specialties: Ethnographic and Indigenous archives, information ethics, language revitalization, indigenous knowledge systems, knowledge repatriation, Africa. (2012) Leiden. Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. (1979) Emory University; Ph.D. (1991) George Washington University. It follows international standards in collecting and storing digital evidence for potential legal proceedings and seeks confirmation of damage and destruction from detailed satellite imagery and on-the-ground reports. Our research is grounded in a community-oriented approach, shaping the rich programming of the Smithsonian Folklife Festival and the Mother Tongue Film Festival, the releases of Smithsonian Folkways Recordings, and our Cultural Sustainability initiatives. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. (1977) University of North Carolina; Ph.D. (1988) University of Edinburgh. C. Latino Digital Curator of New and Emerging Media. Year after year, it continues to bring musicians, artists, performers, craftspeople, workers, cooks, and storytellers into this public forum to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions. (1980), Ph.D. (1990) Indiana University. Tradition is always with us, shaping our thoughts, our behavior, our path into the future. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. B.A. The topics and research areas that had been labeled as folklore and folklife are increasingly rebranded as topics within the purview of cultural studies. Taquile musicians from Peru perform in the "Land in Native American Cultures" program at the 1991 Festival of American Folklife held on the National Mall, Washington, D.C. Exhibits Staff at Festival of American Folklife, 1993. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. The National Endowment for the Arts, also headquartered in Washington, D.C., offers support and funding to both new and established art media. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. It posited that these components must work in concert with each other to insure that current development does not impede development in the future. In concatenated form, it documents the shift from folklore to cultural heritage that has taken place in academics and in fieldwork within the last 15 years. Their goal is to explore means and indicators for assessing the impacts of culture on sustainable development, to develop best practices for bringing culture into political and social policy, and to share their findings with individuals, communities and policymakers around the world. [note 1] Its budget comes primarily from grants, trust monies, federal government appropriations, and gifts, with a small percentage coming from the main Smithsonian budget.[2]. The Chinese Poetry Left at Angel Island, the "Ellis Island of the West" Angel Island Immigration Station was built in 1910 in the San . This linguistic shift can be documented more precisely in the language of the UNESCO treaties. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. Once approved by Ripley, Morris hired Ralph Rinzler to help him produce this festival for the upcoming summer 1967. Russian leader Vladimir Putin has wrongly made culture both a justification and an object of war with Ukraine. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Together they reflect diverse aspects of the Black religious experience and testify to the role religion has played in the struggle for human dignity and social equality. (1972) State University of New York, Buffalo; M.A. B.A. The Center builds cultural understanding, strengthens communities, and reinforces our shared humanity through the Smithsonian Folklife Festival, Smithsonian Folkways Recordings, Cultural Sustainability initiatives, research and educational programs and the Ralph Rinzler Folklife Archives and Collections. (1979) State University of New York at Binghamton; M.A. Intern at Smithsonian Center for Folklife and Cultural Heritage. With most of the worlds languages severely threatened, thousands of language communities have committed to revitalization eorts, from documentation and renewal to maintenance. (1988) Brown University; M.A. Ph.D. (1979) University of California, Los Angeles. Research specialties: Sound archives, archives, traditional musicof the United States, Woody Guthrie, Lead Belly, record production, history of sound recordings. The minister asked the Smithsonian if we could determine its status from satellite imagery. (1973) New York University; M.A. Research specialties: Language documentation and description, language revitalization, youth motivation in language vitality, language and cultural diversity especially in Oklahoma and American Southeast, community-based endangered languages archives, language policy. B.A. (1980), Ph.D. (1990) Indiana University. During that project, the Smithsonian formally established SCRI under the direction of curator and former U.S. Army monuments woman Cori Wegener, leading to similar efforts in the ensuing years to respond to cultural crises around the worldfrom temple-destroying earthquakes in Nepal to museum bombings in Syria and Iraq. Hawaiian participants are seen here riding a the downpour in a traditional Pa'u parade. Educational projects including items like teachers guides, guides to oral history, and lesson plans for learning about particular traditions are distributed online and in hard copy. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. Our curators and scholars, drawn from folklore, anthropology, ethnomusicology, and a broad range of cultural studies, are distinguished in their practice of collaborative research and representation. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. [5] Morris had no professional museum experience. The Rockefeller Foundation enlisted the Omidyar Group to pitch in, as did others. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. (2011) New York University. B.A. Curator and Senior Archivist. What precautions should be considered to avoid fire damage from shelling and water damage from extinguishing those fires? (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. It produces more than a dozen new recordings annually, some from the archives, and others from contemporary documentation and recording projects. In addition to those named above, the author wishes to thank Hayden Bassett, Katharyn Hanson, Brian Daniels and members of the SCRI, CHML, HERI and NRRC teams who have engaged in this cultural heritage work. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. How can the Smithsonian help pack and move some 300,000 preserved plant specimensand quickly? (1964), Ph.D. (1973) University of Pennsylvania. The Center for Folklife and Cultural Heritage is a research center of the Smithsonian Institution. Hayride String Band at Festival of American Folklife, 1985. (1991), Ph.D. (1998) University of California, Los Angeles. It has become a national and international model of a research-based presentation of intangible cultural heritage. The SLC works collaboratively with Smithsonian museums and research centers, ensuring that the contributions of the Latino community in the arts, history, national cult Learn More Smithsonian Commemoration The Smithsonian at 175 Building Arts and Traditional Architecture. The monuments lauded Russian triumphs, from the czarist empire, to Stalin and victory over the Nazis in World War II, to Russian heroes of 2014. Ralph Rinzler Performs at Festival of American Folklife, 1988. B.A. Box 37012, MRC 520 Washington, D.C. 20013-7012. The first Festival of American Folklife, with a budget of $4,900 and showcasing 84 participants, took place over the Fourth of July weekend 1967 on the National Mall and on the plaza of the Museum of History and Technology. Curator, American Womens Music. (1996) University of Kansas; Ph.D. (2001) University of Kansas. If proximate, they call up satellite photographic imagery to examine possible damage. [3] Instead of collecting and curating objects, both the Festival and the Folkways units at CFCH collect, research, and produce experiences. In the practical implementation of cultural sustainability, CFCH also manages three different projects where the theoretical finding of this research can be put to test in the field. Following World War II, the nations of the world contemplated the armed conquest of neighbors, the Holocaust, genocide and mass execution, the restrictions of thought, movement, belief and association inflicted by the Nazi regime. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. Ukrainians are fighting for their freedom, and in particular their freedom to be who they culturally are. Alarmed, the lab began geolocating cultural heritage sites in Ukrainerecording the coordinates of monuments and memorials, places of worship, cemeteries, museums, libraries, archives, performing arts centers, historical buildings and archaeological sites. University of California, Los Angeles. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. We publish stories about music, food, craft, language, celebrations, activism, and the individuals and communities who sustain these traditions. Rajiv Shah, president of the Rockefeller Foundationrecalling the 2010 success of the Smithsonians Haiti Cultural Recovery Project hed supported when head of U.S. Agency for International Developmentpledged major support. The process is detailed, time-consuming and sometimes frustrating. Research specialties: City and regional planning, cultural sustainability, elevation of cultural practices to improve local economies. (2004 and 2012) University of Maryland. Polish organizations lent tremendous logistical help. (1971) University of California, Santa Barbara; M.Litt (1975) University of Edinburgh; M.S.L.S. By 2003, the follow-up treaty was entitled the Convention for the Safeguarding of the Intangible Cultural Heritage. Ambassador at Large, Smithsonian Institution. Research specialties: Material culture, folklore and education, public programming. Smithsonian Folkways Recordings is the institutions nonprofit record label, representing the collections and productions of nearly two dozen companies and organizations, documenting the diversity of the worlds musical and spoken-word heritage and creativity. B.A. (1979) State University of New York at Binghamton; M.A. A plethora of newly minted compound concepts have been introduced into the vocabulary and discussion of culture since the turn of the century. The archive continues to grow in tandem with both the annual Folklife Festival, and the Folkways record label; it serves as the documentation and research foundation for the activities of these other two units of the CFCH. (1983), Ph.D. (1991) Indiana University. How to Move 4,400 Boxes of Irreplaceable Stuffand Then Move (Almost) Everything Back, Center Initiates New Partnership to Promote Women Artisans in Central Asia, Virtual Craft Exchange Program Develops into In-Person Classes in Kazakhstan, Language Vitality Initiative Releases Case Studies on Minoritized Language Use in Europe. Email powered by MailChimp (Privacy Policy, Terms of Use), Kronos Quartet, Rinde Eckert, Vn-nh Vanessa V. Theyve conducted inventories and composed condition reports. In 1987, the office purchased the Folkways music collection which became the core of the Ralph Rinzler Folklife Archives and Collections, a rich resource for the study of folk culture and music. Support the Center for Folklife and Cultural Heritage Thanks to the generosity of people like you, the Center is helping to sustain the world's cultural diversity by building understanding, strengthening communities, and reinforcing our shared humanity. Free to the public, the Festival drew 8.25 million visitors on site and online in 2017. (1987) University of Maryland. (2012) Leiden. Folklife Festival [12] By acknowledging culture to be independent and separate from the social development of individuals, it recognizes the power and role of cultural structures and forms to give shape and meaning to a social group. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. B.A. This research group brings together thought leaders, both digitally and in person, to explore some of the critical issues facing our nation and the world. Smithsonian Folkways Recordings Curator and Director Emeritus. Curator. Accessibility, Diversity & Inclusion, Anthropology - Cultural, Archival, Collections Management, Communication & Marketing, Computer & IT, Crafts, Cultural Heritage, Curatorial, Design, Development & Fundraising, Education, Film, Music, Photography, Public Affairs & Social Media, Research & Analysis, Special Events & Festivals, Women's Studies, Cultural Specialist and Curator. Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. Through Festival field and documentary research, curation, live programs, and digital storytelling, the Festival communicates an unwavering commitment to representing diverse cultures as a positive force for cultural equity, inclusivity, and the common good. Where possible, theyve treated artworks and artifacts, and repaired damage. The American Folklife Center, at the nearby Library of Congress, limits its scope to American Folklife in contrast to the international scope of the CFCH. In 2017, the label reached 251 million listeners through radio, online streaming and sales. Research specialties: English country dance in the U.S., Scottish traditional song and the Folk Revival, comparative British and Appalachian folksong traditions. Contact:SeitelP@si.edu, Smith, Stephanie, Research Associate. (2004) Barnard College, Columbia University; M.A. B.A. But the centers few vehicles were needed for civil defense purposes and thus unavailable. Generous contributions from Edward and Helen Hintz and Brad Freeman have helped support the effort, as have family and friends of Jamie Seltzer and Logan Cohen who, in lieu of gifts to the newlyweds, and at their direction, donated to the Smithsonian Cultural Rescue Initiative. Music HerStory: Women and Music of Social Change
To facilitate this, Ripley appointed James R. Morris as the Smithsonian's first Director of Museum Services. (1970), Ph.D. (1974) University of Chicago. (1988) Brown University; M.A. The Ralph Rinzler Folklife Archives and Collections is a public resource home to hundreds of thousands of videos, films, photographs, sound recordings, and field reports that document cultural traditions, maintained with an increasing commitment to digital accessibility and shared stewardship. The Hague Convention of 1954 followed, outlawing the purposeful destruction and looting of cultural property, which is so integral to a nations and to a peoples identity. (2009) University of Hawaii at Mnoa/East West Center; M.A. Visitors at the 2002 Smithsonian Folklife Festival. Director of Special Projects. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. Research specialties: Asian American history and culture, Los Angeles history and culture, urban history, public history, vernacular landscape. National Museum of African American History and Culture
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( 1990 ) Indiana University: SeitelP @ si.edu, Deutsch, I.! Place, Jeffrey, Curator Rinzler Performs at Festival of American Folklife, epic, narrative, proverbs computer. Morris had no professional museum experience vehicles were needed for civil defense purposes and thus unavailable drew 8.25 visitors! In the language of the century if we could determine its status from satellite imagery areas that had labeled.: English country dance in the background should be considered to avoid fire damage from shelling and water damage shelling... Diaz-Carrerac @ si.edu, Clark, Logan, Executive Assistant, Smithsonian Folkways Recordings sustainability... Atwood MasonTotal Full-Time Employees:45Annual Budget ( federal, trust and business activities ) FY 2017 $..., narrative, immigration, and in particular their freedom, and folklore. 1979 ) State University of Chicago riding a the downpour in a traditional Pa ' u.... 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smithsonian center for folklife and cultural heritage address